
- 저자
- Hong Sun-pyo 지음 |
- 발행일
- 2011-02-28
- 정가
- 15,000원
- 판형
- 125x180 (Hard Cover)
- 분량
- 184쪽
- 언어
- 영어
- ISBN
- 9788973008681 판매중
- 책 소 개
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Traditional Korean Painting, the 27th book in The Spirit of Korean Cultural Roots series, explores the history of Korean painting. In doing so, it gives an overview of the changes and developments in Korean painting through the ages, from prehistoric to modern times, by looking at the major trends and the philosophical and stylistic characteristics according to period.
As such, this book does not just focus on a few genres but covers the whole spectrum, including prehistoric rock carvings, ancient tomb murals, Buddhist painting, shamanic painting, folk painting, court painting, portraits, genre paintings, landscapes and bird-and-flower paintings. The works of Korea's major artists such as Seo Gu-bang, Jeong Seon, Kim Hong-do, Jang Seung-eop and Park Rae-hyeon are introduced in detail to promote greater understanding of Korean painting.
This book was written from the consciousness that traditional Korean painting has often been written about and discussed from the perspective of others, through modern or Western ideologies such as colonialism, anti-colonialism, nationalism and modernism. Moving away from the development theory inherent in the Western model, the author takes a critical perspective and attempts a new historical systemization of traditional Korean painting.
- 저자소개
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지은이 : Hong Sun-pyo
Graduated from Department of Art History (Korean Painting), Hongik University Graduate School
Ph.D from Department of Aesthetics and Art History (“History of Korean-Japan Exchange in Painting”), Kyushu University, Japan
Guest research fellow at International Research for Japanese Studies
Served various posts including member of the Cultural Properties Committee, executive committee member of the National Museum of Contemporary Art, president of the Modern Art History Association of Korea, and president of the Art History Association of Korea
Currently professor in the Department of Art History at Ewha Womans University, director of the Center for Art Studies, Sunggang Foundation, and directing editor of Misulsa Nondan (Art History Forum)
Published over 250 articles since 1979 on changes in traditional Korean painting through history and its relation with East Asian painting
Books
A Discourse on the History of Joseon-period Painting, Munye Publishing Co., 1999,
Ancient Horse Paintings of East Asia, Equestrian Culture Series No. 4, Korea Racing Authority, 2001
Korean Modern Art History, Sigongsa, 2009
- 차 례
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Preface
I. Prehistoric Painting
Petroglyphs, the Origin of Korean Painting
Craft Designs of the Bronze AgeII. Painting of the Three Kingdoms Period
Goguryeo Tomb Murals: Changes and Implications
Painting of the Unified Silla PeriodIII. Painting of the Goryeo Period
The Characteristics of Goryeo Buddhist Painting
The Emergence of Painting for Appreciation
New Trends after the Mid-Goryeo PeriodIV. Painting of the First Half of the Joseon Dynasty
Literati View of Painting and the Establishment of Painting and Calligraphy
as a Hobby
Classical Landscapes and Realistic Landscapes
New Developments in Portraiture
The Popularity of Bird-and-Flower PaintingV. Painting of the Latter Half of the Joseon Dynasty
The Appreciation of Art and Changing Attitudes toward the Production and Consumption of Painting
The Introduction and Development of New Techniques
The Rise of True-View Landscapes
The Development of Genre Painting
Types and Characteristics of Decorative Court Painting
The Mood of Good Fortune and Extravagance: Boom in Folk Painting
New Tastes in Flower PaintingVI. Traditional Painting in the Modern Era
The Dominance of the Owon Style
The Birth of “Eastern Painting”
The Revival of “Korean Painting”